Gastón Solnicki

Gaston Solnicki plays himself in this cinematic tribute to his friend Hans Hurch.

Gaston Solnicki plays himself in this cinematic tribute to his friend Hans Hurch.

A portrait of Argentine director Gastón Solnicki's family over the course of the second half of the 20th century, Papirosen follows four...

Santa Fe - notes, 2017 - 2019 is a story made up of fragments of landscapes, buildings, voices and objects. It is a film built on the relationship...

Vienna, 2019 – the end of an era. The smoking ban in public places means that a part of Kaffeehaus culture has disappeared. Of all moments,...

A one-minute short made for BAFICI (Buenos Aires International Festival of Independent Cinema)

A one-minute short made for BAFICI (Buenos Aires International Festival of Independent Cinema)

Vienna, 2019 – the end of an era. The smoking ban in public places means that a part of Kaffeehaus culture has disappeared. Of all moments,...

F begins to follow two young anarchists who sporty usurp abandoned commercial storefronts and apartments. These three strangers will become closer...

Argentina Buenos Aires, 1968. The boundaries between everyday life and art are blurry. While increasing political and institutional violence,...

Vienna, 2019 – the end of an era. The smoking ban in public places means that a part of Kaffeehaus culture has disappeared. Of all moments,...

An unconventional portrayal of several young women witnessed in immersive yet indeterminate states: within their bodies, among their friends and...

Self commissioned short to celebrate the 50th anniversary of the Viennale.

After 40 of living in Germany, Argentinian composer Mauricio Kagel visits his hometown.

Gaston Solnicki plays himself in this cinematic tribute to his friend Hans Hurch.

A young actress directs a casting for a film about the flood in Santa Fe. Between the voices of people, current, past, and her own experience of the...

Gaston Solnicki plays himself in this cinematic tribute to his friend Hans Hurch.

Gastón Solnicki combines footage of Notre Dame’s statues presciently removed two days before the cathedral’s near-decimation.

For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.

Using personal correspondence and some passages from Ezequiel Martínez Estrada’s The Head of Goliath, as well as recreations with paper...